Table of Contents

`EDITOR¡¯S CORNER  Sapporo, Testing Ground for Colonialism
Lee Kyung-jae £üROK


Story Map 1 A Literary Bird¡¯s-Eye-View

Traversing Sapporo
Kim Gyeong-won £üROK


Story Map 2 Story Museum

One Who Comes at Night Bright With Snow
Ito Sei £üJapan
Sand is Not Sand
Yuda Katsuei £üJapan
Story of a Mute Child and a Bear
Myth £üJapan
Ainu Folktales
Basil Hall Chamberlain £üUK
A Snowy Morning
Ito Sei£ü Japan


Story Map 3 Hokkaido and Writers

Writers of Sapporo, Hokkaido
Kamiya Tadataka £ü Japan
Miura Ayako¡¯s Love and Faith
Kamiya Tadataka £ü Japan
Freezing Point's Success in Korea and its Translation
Kim Eung-kyo £üROK
Humanism in Kobayashi Takiji¡¯s Literature
Funo Eiichi £ü Japan
The Present Progressive Crab Canning Ship
Hwang Bongmo £üROK


Story Map 4 Power of Shadows
Those Who Were Left Underground
Moriyama Gunjiro £ü Japan
No to Oomae Nuclear Power Plant!
Ohba Kazuo £ü Japan
Ainu Literature, Sinyo (Divine Utterances)
Chiri Masiho £ü Japan


Story Map 5 Korea Reading Sapporo

Hokkaido, Land of ¡°People¡± No Longer Here
Kim Yeonsu £üROK
Times When I Was Reading Crab Canning Ship
Kim Nam-il £üROK
Ishkawa Takuboku and Korean Literature
Kim Yun-sik £üROK
What Sapporo Taught Lee Hoe-seong
Lee Kyung-jae £üROK

Another Stories

Dinner with Buffett
Park Min-gyu £üROK
I¡¯m Fine, Thanks.
Lee Kyung-jae £üROK
Empty room empty and more
Kang Yeon-ho £üROK
Toba Tek Singh
Saadat Hasan Manto£ü India
Good Morning, Beijing
Xu Kun£üChina
Postmodern, or Hikikomori-style Democracy
Jung Eun-kyoung £üROK
Cutting the Wrists of Those Who Pray for an End
Lee Kyung-jae £üROK


About The Translators